S/T #1 son degradadas para adaptarse a La pincelada
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S T #1 son degradadas para adaptarse a La pincelada son degradadas para adaptarse a un medio donde la velocidad de transferencia condiciona su morfología La luz proyectada de forma cenital descubre una superficie donde el juego de la sombra arrojada hace vibrar a la obra en una espectacular amalgama de texturas visuales Mercedes Pimiento focuses her work on investigating the way we interact with the spaces we inhabit Mediante procedimientos de licuefacción y solidificación
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